The Source of the Emotional Construction of Chinese Left-behind Children-Themed Films

Yao Zhan, Jiangdong Cui, Jiange Xu

Abstract


As an intermediate medium of storage medium, the film becomes the image of linguistic significance due to the addition of emotional elements. As a form of video art, meanwhile, the theme of Chinese left-behind children itself has strong vitality, which makes Chinese left-behind children themed films have natural emotional attributes in emotional expression. As an art form combining visual and auditory, Chinese left-behind children films mainly come from three aspects: first, the left-behind children films themselves; second, the emotions of left-behind children film filmmakers, and finally, the emotions of left-behind children film audiences.

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DOI: https://doi.org/10.22158/wjssr.v10n3p21

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