Yasujirō Ozu’s Cinematic Language and the Aesthetics of Healing

Abstract

This paper explores the unique cinematic language and healing aesthetics of Yasujirō Ozu by comparing his film style with that of classical Hollywood. Unlike Hollywood’s focus on plot-driven action and emotional conflict, Ozu utilizes “intermediate space”, “360-degree rule”, “low-angle shots”, and “graphic configuration” to depict serene everyday life, breaking away from classical Hollywood’s narrative conventions and establishing a novel Japanese visual experience. The following findings reveal that Ozu creates a distinct healing effect through meticulously designed spatial compositions and narrative rhythm. Rather than relying on dramatic conflict, this effect emerges from spatial ambiance and visual stability, offering viewers a space for emotional buffering and psychological rest. Drawing on environmental and Gestalt psychology, this study delves into the therapeutic mechanisms within Ozu’s cinematic language and analyses its profound influence on modern Japanese healing cinema.