Contemporary Painting and Spiritual Landscape--Re-examination of the History and Theme of Shelf Paintings

Abstract

This paper and the graduation piece continue the course of my research. By investigating the history and development of contemporary painting, of how painting going from representational to abstract, this paper and my graduation piece is aimed to find a new interpretation to integrate the ideas of painting; to achieve the "landscape of spirit" of artist and to interpret the expressive principle of art fully. Finally, combining the landscape of spirit and painting together, highlighting an important factor of creation-"spirit". This paper has taken the analysis from Chinese and Western to be the main content-from representational to abstract; from the West to the East; and from the combination of the East and the West. Of western artists, Picasso, Rothko was chosen to be the representative while the integration of Confucianism, Buddhism and Taoism from the Wei and Jin Dynasty was chosen to represent the East. Whether it is the religion of the West of the philosophy or the East could be found in painting easily, this show that spirit is necessary in painting. Nowadays, the East and the West are closely linked, Chinese artist's self-study and the "landscape of spirit" could be easily seen. How to explain the "landscape of spirit" is also a problem. This paper tries to explain the "landscape of spirit" by combining art history, study of the connection and development of art and technology, and my own art.